Lee nuestra política de exclusión voluntaria aquí. La pantalla táctil también es la misma que en la C500 Mark II y funciona realmente bien: combinada con el enfoque automático dual Pixel que funciona de maravillas, tiene mucho sentido tener una pantalla táctil (espero que Sony esté leyendo esto, por más que me encante la FX9, ¡pero realmente necesita una pantalla táctil para su genial enfoque automático!). Ironically, just because of the old mount, this exellent camera is already outdated. Los usuarios también pueden beneficiarse del uniforme e intuitivo funcionamiento del enfoque táctil con el nuevo monitor LCD de 4,3 pulgadas LM-V2, así como de un control del enfoque mejorado que recrea un enfoque en movimiento más natural. Before Canon announces their latest cinema camera tomorrow, here’s another look at that wonderful C300 Mark III. La Unidad de Extensión 2 agrega una gran cantidad de funcionalidades, pero el cuerpo en sí también se puede usar muy bien solo, y es lo suficientemente pequeño como para usarlo en un gimbal. Nada de spam, ¡garantizado! EU-V1 The EU-V1 will offer Genlock, a Remote B terminal (RS422) and Ethernet connectivity. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria, Boris FX Mocha Pro 2021 agregó seguimiento PowerMesh, SIGMA revela tres nuevos lentes de focal fija para montura L, La batería de cámara X-tra ofrece un aumento de capacidad – ya disponible en Kickstarter, Zacuto lanzó un armazón y varios accesorios para la RED Komodo, Reseña del curso "El Arte y la Técnica de la Edición de Cine" con Tom Cross, en MZed, Panasonic LUMIX BGH1: Reseña de primera impresión y mini documental, Reseña de la Astera NYX: En busca de la bombilla de cine perfecta, Reseña del TourBox 2020: un panel de control versátil para todas tus aplicaciones, Reseñas imparciales – nuestros principios, hayas visto nuestra entrevista con Canon sobre la recién anunciada C300 Mark III, corto “13:59” dirigido por Mario Feil aquí, lee nuestra prueba de laboratorio sobre rango dinámico y rolling shutter aquí. The Canon EOS C300 camcorder is capable enough for use in broadcast environments, but if you don't need HD-SDI or Genlock output, consider the C100 Mark II as a much more affordable alternative. Canon unveiled its much anticipated Canon C300 mark III camera today for $10,999. The specs that instantly excited me were 4K RAW up to 120fps, 10 stops of internal ND, 16+ stops of dynamic range on the sensor and internal stabilization. Sin embargo, todavía no puedo ver a nadie comprando el visor estándar que solo funciona cuando NO se usa una unidad de extensión. Super 35mm DGO Sensor with 16+ stops of Dynamic Range I wasn't in the market for am $11,000 cinema camera, but after reading the headline, I decided to buy one. Created with broadcast and film professionals in mind, the small and modular body houses the newly developed Dual Gain Output sensor that delivers outstanding image quality. No puedes seleccionar el valor de cuadro individualmente, ya que hay “saltos” en el medio, pero no veo esto como un problema, ya que todos son múltiplos de 24, 25 o 30p. Tan pronto como quería alcanzar más de 60 fps, la mayoría de las cámaras recortaban enormemente en el sensor. This is sooo important for the future. Secondly, the larger sensor … En cuanto al DGO, debo remitirlo a nuestra prueba de laboratorio C300 Mark III de mi colega Gunther Machu, que se lanzará mañana; él ya se ha anotado algunos (buenos) resultados de rango dinámico. Users also benefit from smooth, intuitive touch focus operation with the 4.3-inch LCD monitor LM-V2, as well as an improved focus control that recreates a more natural focus pull. In this in-depth review from Damien Cooper for Monkeypixels, he assesses the camera’s design, image quality, recording options, autofocus, and more from a working professional’s perspective. Afuera, usando la Canon C300 Mark III. Esto es “típico de Canon”, y no entiendo por qué no fue posible al menos darnos 180 fps en 1080p mientras se mantenía la lectura completa del sensor (eso habría puesto a Canon a la par con las ofertas más recientes de Sony) . Thats why the old saying "if it flies, floats or shoots video, rent it" makes sense. Solo enviamos actualizaciones sobre nuestros artículos más relevantes. The EOS C300 Mark III supports both Canon Log 2 and Canon Log 3 gamma. He is co-owner of CineD and a studied Master of Arts. The EOS C300 Mark III supports both Canon Log 2 and Canon Log 3 Gamma. Todavía se mantiene bien, 9 años después. Alongside his critique, there’s plenty of great sample footage shot with the Canon C300 Mark III to dig into. Canon’s Cinema EOS C300 Mark III is the next evolution of Canon’s professional cinema camera range. With outstanding low-light performance and a maximum ISO setting of ISO102400, the Canon EOS C300 Mark III enables … © 2020 All rights reserved. Share this article . Canon will be updating the Canon Cinema EOS C200 in or around April ahead of NAB 2021. The C300 Mark III supports Cinema Raw Light and can record RAW data inside the camera body without using an external recorder. The EOS C300 Mark III can apply LUTs to Proxy recording. It also supports XF-AVC, which compresses video data and … En cuanto a la grabación de alta velocidad, esto es sorprendente. Here is our full list of top recommended & fastest SD cards for Canon EOS C300 Mark III. The C300 Mark III costs $10,999. Pero volvamos a la C300 Mark III, avancemos 9 años hasta el presente: en primer lugar, la Canon C300 Mark III se parece mucho a la C500 Mark II full frame (mira nuestra primera práctica aquí y lee nuestra prueba de laboratorio sobre rango dinámico y rolling shutter aquí). La EOS C300 Mark III incorpora la tecnología Dual Pixel CMOS AF de Canon, que ofrece un enfoque automático continuo de alta velocidad. The C300 Mark II features high speed recording at 2k and HD up to 120 fps in NTSC or 100 fps in PAL mode. This is the prefect camera for Documentaries. Erik Naso 28th May 2020. In Cooper’s opinion, the C300 Mark III has many features that benefit his commercial work including 4K 120p Canon RAW Light recording, excellent image quality and dynamic range, and for the most part a well designed build. The Canon EOS C300 Mark III and the Canon EOS C500 Mark II are Cinema EOS stablemates offering the latest technology to give stunning visual results. Discover Canon EOS C300 Mark III that features a 4K Super 35mm DGO sensor, 4K 120P Slow motion, High Dynamic Range and Dual Pixel CMOS AF. La razón es simple, comparte el … Sin embargo, 120 fps en 4K (y RAW) son realmente sorprendentes y mejores que lo que ofrece la mayoría de la competencia, por lo que deberíamos estar más que contentos con eso. The Canon C300 Mark III is a powerful little cinema camera that’s been getting a lot of attention since its release. Apart from the features that already made the C500 Mark II an interesting proposition – internal Cinema RAW Light recording, Dual Pixel Autofocus – in my opinion, there are two new features of the C300 Mark III which are most interesting about this camera: The newly introduced Dual Gain Output (DGO), which essentially combines two amplifications of a moving image into one, achieving a dynamic range … The Canon EOS C300 Mark III is the first Cinema EOS System camera to feature Canon's Dual-Gain Output (DGO) sensor, which means it can capture images with wider dynamic range and lower noise, making it ideal for HDR output. camera cage C200 C500 MKII C300 MKIII Bright Tangerine EOS C500 Mark II Left Field Cage. How to Use Your Digital Camera and Edit Photos in Photoshop, How To Light And Composite Product Photography, Sony FX6 Announced: Full-Frame E-Mount Cinema Camera Beast for $6,000, Panasonic Lumix S 85mm f/1.8 Lens Announced, Canon Should Bring Out an RF Mount APS-C Camera and Without Killing off EOS M, The Most Important Camera Feature Photographers Overlook. Jake talks to Paul and Ryan from Canon about the new EOS C300 Mark III Digital Cinema Camera and the CINE-SERVO 25-250mm lens. Highlights and Shadows What specs of the Canon EOS C300 Mark III stood out to you for this shoot in particular? He works on documentaries, commercials, corporate films and at times a narrative piece. The Canon C300 might just be that machine. It is pretty clear, according to Canon’s own estimation, the Canon C300 Mark III is clearly better in terms of dynamic range. Dime lo que piensas en los comentarios a continuación. Another factor is that at 100-120fps the camera records in a 2:1 crop mode, meaning it takes the inner portion of the sensor, not the entire sensor. Y si no te gusta nuestro boletín informativo, puedes darte de baja con un solo clic. Final thoughts. Nino Leitner, AAC is a DOP and filmmaker based in Austria, but travels extensively for his work. Created with broadcast and film professionals in mind, the small and modular body houses the newly developed Dual Gain Output sensor that delivers outstanding image quality. The Incredible True Story of How and Why Kodak Aerochrome Was Created. The Canon C300 Mark III constitutes a decent option when Super 35 is your bread and butter. Check out the Fstoppers Store for in-depth tutorials from some of the best instructors in the business. Pero volvamos a la C300 Mark III, avancemos 9 años hasta el presente: en primer lugar, la Canon C300 Mark III se parece mucho a la C500 Mark II full frame (mira nuestra primera práctica aquí y lee nuestra prueba de laboratorio sobre rango dinámico y rolling shutter aquí). In December 2019, the C500 Mark II was released and soon followed by the C300 Mark III earlier this year. I believe that C300 Mark III is superb camera, but dont like idea to buy anything that can not use remarkable RF optics. En cuanto a operabilidad y calidad de construcción, creo que esta cámara es extremadamente versátil. This makes it a little tricky to do a side-by-side, but Potato Jet has done his best to zoom-to-match in this comparison. In 2K recording mode, the Canon C300 Mark III camera features recording speeds up to 180p. Log workflows provide the user with a higher dynamic range, more highlight and shadow retention, and more flexibility in grading. Cuando tuvimos la oportunidad de probar la C300 Mark III, me entusiasmé mucho: tenía una C300 original y, antes de eso, en 2011, cuando se anunció, filmé un cortometraje y me enamoré de esta cámara: puedes ver el corto “13:59” dirigido por Mario Feil aquí. Best Memory Cards for Canon EOS C300 Mark III. Lightroom Settings All Photographers Should Know About, The Most Underrated Skill in Landscape Photography: Scouting, 5 Pieces of Photography Kit You Shouldn't Leave Home Without. That camera uses the smaller Super35mm size sensor, similar to APS-C. Probablemente ya hayas visto nuestra entrevista con Canon sobre la recién anunciada C300 Mark III y hayas leído la publicación. Con los procesadores Dual DIGIC DV5 de Canon, la EOS C300 Mark II ha logrado aumentar notablemente su capacidad de procesamiento en comparación con su predecesora, lo que permite la grabación de vídeos 4K con una elevada velocidad de bits y ofrece compatibilidad con Canon Log2 Gamma y muchas otras funciones clave de la cámara. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. In Cooper’s opinion, the C300 Mark III has many features that benefit his commercial work including 4K 120p Canon RAW Light recording, excellent image quality and dynamic range, and for … The C70 EOS just got announced today with similar sensor than the C300 Mk3. Alongside gear reviews and news, Ryan heads selection for the Fstoppers Photo of the Day. Incredible Results Using Lightroom's Radial Filters, Mirrorless Isn't All It's Cracked up To Be, Checking Used Camera Lenses in Three Steps. Tuve la cámara durante un par de días y salí durante el “encierro” en Viena a capturar el distanciamiento social en todo su esplendor para esta primer vistazo, para reunir algunas impresiones sobre la cámara. When recording high speed at 59.95 fps or lower, the full se… Bright Tangerine Left Field Cage for Canon C300 Mk III & C500 II Review. Since the Canon 5D Mark II emerged almost four years ago, ... Canon EOS 5D Mark III Review: The Best DSLR for Shooting Video. The C300 Mark III features dual gain output – two different gain amplification processes for light and dark areas So, in the future I think there will be many more times I will shoot with Cinema Raw Light, but the XF-AVC codec is tried and tested and we’ve still got 120fps in that mode and, of course, the codec is still benefiting from the dual gain output so a cleaner signal. The C500 Mark II was the first of the new generation of Canon Cinema EOS cameras to use the modular body which it now shares with the newer EOS C300 Mark III. Lo extraño de la grabación de alta velocidad es que 180 fps solo está disponible en un modo de recorte Super16mm. How Does the Sony a7 III Compare Almost Three Years After It Was First Announced? New game-changing sensor for the HDR era. Crédito de imagen: Anita Prager. Click here for the C300 Mark III page on B&H. Hasta ahora, las cámaras Canon, e incluso la C500 Mark II, fueron decepcionantes en lo que respecta a la grabación a alta velocidad. The new camera will share some things with the Cinema EOS C300 Mark III. I love using the c300 mark ii it is a joy to work with. Timing is everything. The biggest difference between the Canon C300 Mark III and the Sony FX9 is the sensor size. So prepare to double the focal length of your lens when shooting highspeed at 100 fps or above and a tad softer image. 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